神游天地

　　(👷)故事分成三個(🥇)章(zhāng )(📼)節：主要的章(zhāng )節由(🕋)高達親(🕸)自飾演導演，正要趕乘(chéng )飛機，在(zài )(🛤)24小時(🏴)內把一部電影的菲(🌫)林交給(gěi )監製；(🌗)同時一隊二人(rén )流行電子音樂組合，不(bú )斷排練歌(gē )曲(qǔ )(💆)，最後在路上表(🚥)演(yǎn )；另一邊(🎿)廂，愚笨(😚)的大肥(🙁)佬捲入(rù )(🖍)一宗(zōng )事件，被神秘女(nǚ )人(💞)密(mì )切監(🌙)視，最後更(gèng )被拘捕。三段故事看似毫無關連，實際是高達(🙂)以(📙)電影來(lái )(🐑)討論電影製作(🙄)和(hé )藝術(shù )創作的(de )重(🎾)要。片名(⛏)看似帶有弦(🔔)外之音，就像高達暗示，假如(rú )監製或其(qí )(🧣)他人(rén )(⚾)要(🕯)干擾導演的藝術(💝)創(💹)作，就索性(xìng )我行我素，忠於自(zì )己的道(dào )路好(hǎo )了。這大概亦示範了(le )高(📟)達如(💯)何純熟地運用電影媒體來做評(píng )(🤥)論(⏲)。
　　A film in three chapters: Godard plays the director in the main chapter, rushing to catch a plane to pass the negatives to his producer within 24 hours; an electronic duo keeps rehearsing for their roadshow; a clumsy fat man gets involved in an incident, and is arrested after being watched by a mysterious woman. Seemingly unrelated events, Godard is discussing the importance of film producer and artistic creativity. Godard is making the statement that if a producer or anyone interferes with creativity, it is better for the artist to go one's own way. A showpiece of how Godard uses the film media as his critical essay.